Remembrance week centenaries of WW1 Memorial trees


Appropriate remembrance reading and face mask

By Jim Barrow

The 2020 Covid-19 pandemic has made remembrance very different – as it was in Wolverhampton a century ago.

Remembrance Sunday, on the second Sunday of the month closest to November 11, known as Remembrance Day, has a two minute silence at 11am. This year it was on November 8. 

King George V hosted the first at Buckingham Palace in 1919 with French President Raymond Poincaré.  The Armistice of November 11, 1918 was signed by the Allies and Germany declaring an end to the war. 

Today it is observed by all Commonwealth nations and many other countries mark it as a day of memorial.

In Wolverhampton on November 10, 1919 new Mayor Thomas Austin Henn said he would ask for money to plant 1,000 trees chiefly in streets “which were drab and dreary monotony.” He said it would cost £1,200 – nearly £61,500 in today’s prices – with people, particularly pupils, parents and school staff, raising the money.

Plantings followed the mass slaughter of war and the 1918-19 worldwide influenza pandemic killing millions worldwide and nearly 2,000 in the Black Country – including 554 in Wolverhampton.

By November 10, 1920 plantings were now a way of remembering the sacrifice of those who fell in the war and on that day more were done in Old Hall Street in the town centre and Hordern Road, Whitmore Reans.

Old Hall Street school’s logbook for the day reads: “Today the Mayor and Mayoress of the Borough, together with the deputy mayor and other officials conducted the ceremony of the planting in connection with the school. Twelve trees were planted by scholars in Old Hall Street in memory of past scholars who had given their lives for their king and country during the great European War.”

The excellent Wolverhampton’s War blog developed at Wolverhampton Archives since 2014 goes into the background to say that the Express & Star of May 19, 1915, said Harry D. Jackson, headmaster of Old Hall Street School and secretary of Wolverhampton Schools’ Athletic Association had decided that “the call to military service…[was] so irresistible that he has responded by enlisting in the R. F. A.” (number 686959).

Harry David Jackson, born in Wolverhampton in 1873, was the son of Elizabeth and Thomas Jackson. In 1901, he was as a schoolmaster, living with his parents and brothers Frederick and Arthur at 75 Curzon Street. The school logbook for Old Hall Street School recalls him going off to war and returning to work after being gassed.


Trees still stand in Old Hall Street. Some are young ones on the concourse in front of the reception area but there are also older ones lining Old Hall Street but it is not known if they are the originals?

In 2018 I worked with Life Skills students (students with learning difficulties and disabilities) from Adult Education in Old Hall Street about the history of the trees and they designed and created a new commemorative artwork in honour of those who died. They incorporated bark from the Old Hall Street trees into the artwork.

The 2018 Mayor of Wolverhampton, Councillor Phil Page, unveiled the artwork on Tuesday November 13, 2018 alongside Mayoress, Mrs Elaine Hadley-Howell, Director of Education Meredith Teasdale, Councillor Lynne Moran Cabinet Member for Education and Skills and Councillor Linda Leach.

In Whitmore Reans on November 10, 1920 the children of Hordern Road Schools dedicated 12 saplings to men of the district who had fallen in the war. As the schools were not opened until the year before the war (1913) there were no old boys who had served in the war but many of the children had relatives who served.

The Express & Star reported: “The first tree was dedicated by the planter to the memory of his brother. The ceremony so touched some of the participants that there were many tears shed and the sympathies of the Mayoress (Mrs T A Henn) had to be coupled with the handshakes of the Mayor.

“A boy, a girl and a child from the infants department were stationed at each of the 12 trees and scholars lined the opposite pavement, and a few interested parents followed the Mayoral party.”

Later the headmaster, Mr Blower, asked: “that the children responsible for the planting of each tree should take a personal interest in its growth, and should report on the anniversary of its setting on its condition and the progress it had made towards forming a unit in the avenue which will in future grace the street.”

Roy C. Evans, in Wolverhampton Warriors – The Town’s Great Battalions In The Great War (pub Bright Pen 2010) says Acting Sergeant Frederick Wallace Watson, living with his parents, Wallis and Hannah, at 299, Hordern Road, died on October 13, 1915.

He says that the 20-year-old kept the Germans at bay with hand grenades and then sniping for five hours until he was killed. He had trained as a bomber and took part in the assault on the Hohenzollern Redoubt. 

The former pupil of St Andrew’s Church of England School, Whitmore Reans, was with “C” Company of the 1st/6th Battalion of the Staffordshire Regiment and is remembered on the Loos Memorial in France

His brother, Rifleman Alfred Thomas Watson (service number 39553), of the 18th Bn. King’s Royal Rifle Corps died on the October 20, 1918, aged 19. He is remembered on the memorial at Dadizeele New British Cemetery, – Moorslede, West-Vlaanderen, Belgium. 

A pupil dedicated a tree in memory of his older brother, Regimental Sergeant Major Albert Cox, of the 28th Brigade of the Royal Field Artillery. Cox lived with wife, Adelina, at Worcester Terrace, Aldersley Road.

He was awarded the Distinguished Service Medal for bringing in wounded under heavy fire, but died in the Second battle of Ypres, on April 24, 1915. 

The 40-year-old gunner was buried in Ypres Town Cemetery Extension, not far from The Menin Gate, and is also commemorated on the St Michael and All Angels War Memorial, at Tettenhall. 

Brother-in-law Royal Field Artillery Quarter-Master Sergeant-Farrier Edward James Poyner, of Mill Lane, Tettenhall Wood, was mentioned in despatches for taking ammunition to the guns under fire and bringing horses back safe at the Battle of Hill 60. 

Edward’s brother, L Poyner, was in the same battery and another brother, Private George S Poyner, died on November 1, 1914.

Where Hordern Road crosses the Staffordshire and Worcestershire Canal, the Wildside Centre is carrying on the work of planting trees – although not memorial trees – alongside the canal and in the Smestow Valley.

Elsewhere in Wolverhampton trees have been planted at Bantock Park, the Newhampton Arts Centre, Dunkley Street, and in locations in Whitmore Reans.

The first 30 trees were planted on March 22, 1920 in All Saints Road, All Saints, Wolverhampton, by pupils elected by fellow pupils at All Saints, St Joseph’s and Dudley Road Schools in All Saints Road. 

They dedicated each to “the memory of the brave men who died to make the world freer and brighter”. Another 1920 planting was in Walford Avenue, near Bantock Park, by Bingley Street, St Marks and Brickiln Street Schools.

On March 22, 2020 current Wolverhampton Mayor, Councillor Claire Darke, was due at plantings at The Workspace, All Saints Action Network, All Saints Road, All Saints, with John Henn, great grandson of Mayor Henn. 

It was planned at the site of the former All Saints School – which is next to All Saints Church where a plaque commemorates 91 men who died in WW1. At the 1920 planting the mayor was accompanied by children Mr T Wesley Henn (John Henn’s grandfather), Frank and Molly.

Trees are still in All Saints Road along with others planted later in nearby Vicarage Road, Mason Street, Silver Birch Avenue and Thompson Avenue. 

Anniversaries came to light when I was researching the history of the Dunkley Street site of the Newhampton Arts Centre and came across references to tree plantings in the logbook of the Higher Grade School which was on the site at before, during and immediately after WW1.

As a result I provided a chapter on the memorial trees in the book Wolverhampton’s Great War 1914-1921, which was published by the Wolverhampton Society.

This article was written for the excellent newsletter of the Friends Of Wolverhampton Archives which is edited by Penny Ann Smith.

A WordPress blogpost with more details of the plantings is at https://burslembandit.wordpress.com/2020/10/25/roads-of-remembrance-2/(opens in a new tab)

Getting a lift to the future?


Makeshift 2013 at the Newhampton Arts Centre

Makeshift 2013 at the Newhampton Arts Centre

Makeshift 2013 at the Newhampton Arts Centre, Wolverhampton, had a tremendous range of inspiring ideas and it will be interesting to see how many develop in the same way that the three which took off from last year managed to do.

The ‘unconference,’ aimed at finding new ideas and new ventures that people can make happen for themselves, heard that the gap fillers idea of bringing spare or waste land in the city had been developed as had Scribble and Scribe – volunteers helping people to get over the difficulty of filling in forms.

In Wednesfield a free organic garden had been established , vegetables successfully grown and distributed among people working the land and the surplus donated to charities in the city helping people in difficult circumstances.

The garden was still being developed and there was the possibility of other gardens elsewhere.

This year there were  high levels of energy and interest in the ideas pitched during on Saturday, November 9, and a positive desire for things to happen.

At the Newhampton Arts Centre, Dunkley Street, Whitmore Reans, which itself is expanding its activities to fill the college hall and offices at the front of the site, multiple ideas were pitched.

One was for book swapping – setting up ten locations (cafes, bars, community centres etc) in the city to swap/exchange books without cutting across the services already provided by libraries, bookshops and book clubs.

Jester’s Cafe in the Newhampton Arts Centre has been doing this for some time now so perhaps that can be added on to Jerome Turner’s list of sites. He is also already off the mark with a cafe in Wednesfield.

Steph Clarke of the WV11 website, which uses social media to engage the community in and around Wednesfield, talked about how Facebook and  Twitter and other social media tools could support initiatives at a community level. The website is at http://www.wv11.co.uk  where there is a contact form. The phone contact is 07855 409 319.

James Clarke, Steph’s partner outlined Lookup Wolverhampton – a photographic project looking at the wonderful and varied architecture of buildings in Wolverhampton above street level. An exhibition could highlight the rooftops of the city and views that many people may miss.

Another take on being positive about the city came from Paul Darke with Wolves in Wolves – putting large plastic sculptures of Wolves through every ward in the city and elsewhere involving communities, schools and artists and sponsors in creating the sculptures.

This would be similar to how Bristol had Gromits, Milton Keynes, Manchester, and Vancouver had cows and Liverpool had penguins.

People could then follow a trail around the city taking in the sculptures.

At the end of the event, over a number of months, the cows would be sold off to raise funds to fund another public art project. Paul is the director of the Outside Centre arts organisation, based in Wolverhampton, and can be contacted at  paul@darke.info and also has the Digital Disability page on Facebook.

Kevin Wilkins spoke about how people involved with Finchfield Community Association were looking at trying to take over the disused St Thomas Church and the land around it to create a community centre which could also help less advantaged people in the community.

At present, they say, the building is owned by a property developer who wants £195,000 for it. There is also a little possible legal difficulty over the way in which the church was vacated and a covenant left behind over its use.

They are looking for people to join them to produce ideas about the building and support from organisations who might be able to help with advice on their project.

Their email contact is finchfieldca@gmail.com and their website is at http://finchfieldcomunityassociation.co.uk

They are also on Facebook at http://www.facebook.com/finchfieldCA or Twitter @FinchyC

Angela Lewis, who runs Little Hippo Presents (@littlehipposhop on twitter) at Apley Farm Shop, shared plans for an arts and crafts co-operative and hub in the old boot factory development on the opposite side of the ring road to Sainsbury’s in April 2014 and a pop-up shop in the Mander Centre from January to March 2014.

Matt Henderson of Wolverhampton Friends of The Earth pitched for setting up a city centre for alternative technology which would demonstrate how people could save energy and even ‘live off the grid’ in the same way as the centre at Machnylleth in Wales had been doing for decades.

He can be contacted via their Facebook page, or by calling 01902 238539

Elliot Lord, of Our Own Future, who has been developing the organic garden with people in Wednesfield, argued for an upcycled furniture business which would re-use materials to create furniture with the help of designers and those good at making things.

Elliot can be contacted at ourownfuture@gmail.com and their website is at http://www.ourownfuture.org

SWEDA, who are based at The Business Centre, Church Street,  West Bromwich, B70 8RP, and aim to help grow the social enterprise sector in the West Midlands and to support community projects,  were there to flag up their work.

These include workshops at The Goldmine Centre, 14a, Lower Hall Lane, Walsall, WS1 1RL, and the resources they have to help projects.

Their way of operating and helping was outlined by Tony Andrews and they can be contacted on 0121 525 2558, by fax at 0121 580 0103, or by email at sweda@sweda.org.uk or the website at http://www.sweda.org.uk

Since Makeshift SWEDA  have been in touch with Elliot to express interest in the upcycled furniture project.

Rob proposed a custom build housing project where people can design and build their own homeswith the help of architects, designers and those with building expertise.

He has posted a form at http://tinyurl.com/customhomebuild for people to indicate an interest.

Christina from the not-for-profit social enterprise Schools and Community Arts Resource Facility (SCARF), in Colliery Road, which has been going for a decade, brought along examples of exciting and unusual materials which are often difficult to obtain but which had been donated and reused after being collected rather than thrown away by businesses.

Scarf is looking for a larger space to store materials such as paint and decorating materials and to help develop a tool library and distribution. They can be contacted on 01902 558603 or emailed at info@scarf4art.co.uk

Hirin Patel is trying to set up a community association, ‘a social steam engine’, to provide low level care and companionship for vulnerable people and Des Halestrap spoke for expanding an initiative in Pendeford where older people come together for conversation and companionship.

He would like to see safe and comfortable places set up all over the city which would also be intergenerational so that younger people could interact with the older generations.

Kathleen Fabre (find her on Twitter) went for Art on The Move – creating art at various sites around the city – including derelict and semi-derelict sites – and also at all major transport hubs and on trains, buses and taxis. There could be a trail leading from one art installation to another throughout the city.

Kathleen is on Twitter @KathFabre and on Facebook at facebook.com/KathleenFabreArtist

Julian raised the question of what should be free in the community and why? Food and water were touched on and also how that could happen.

Liz Millman led a session on building and developing international links and understanding through Wolverhampton International Links Association (info@wilaonline.com 07711569489 http://www.wilaonline.com).

The association already lists international links through education and schools, development, business, health and care, families and community. It was also suggested that arts and cultural groups with international links could join in.

Makeshift itself is on Twitter @makeshiftevent, on Facebook at http://www.facebook.com/makeshiftevent and has a website at http://www.makeshiftwolverhampton.wordpress.com/

The person to contact is Sam Axtell, Consultation and Community Involvement Officer, Policy Team, Office of the Chief Executive, Wolverhampton City Council, Civic Centre, St Peter’s Square, Wolverhampton, WV1 1SH. The ideas textline is 07584 175348.

It would be great to see projects come to fruition and it was also really nice to continue the discussion in the Newhampton Inn afterwards.

At the same time as these great grassroots ideas for possible futures are being developed here – and in many more places as well – many resources and spaces for the general good built up over decades, sometimes centuries, are in danger of being swept away.

I don’t agree with the argument that ideas and projects like those pitched at Makeshift are a bit like building sandcastles on the beach while doing nothing about the economic and austerity tsunami that is only partly arrived.

Many fantastic developments that have had a huge global impact started in garages, sheds, back bedrooms, rooms above pubs and all sorts of unlikely places.

And many of them were developed in very adverse circumstances – think Microsoft, Apple and lots of great art – or even further back Marstons/ Sunbeam moving from bicycles to cars that beat the world landspeed record.

However, the neo-con/austerity agenda of making the people who never caused the economic crisis pay for it threatens so many things that are of great use to millions of people. True, it would be nice if people had a little energy/effort left to protect and help some of the good things survive – libraries, parks, public transport, public open space, arts facilities, gardens, schools, health facilities etc.

I know it is a big ask when people have to put so much into day-to-day stuff (I am still feeling the effects of Sunday doing catchup on the final? weeding/turning over) and growing their own projects but it would be nice to support efforts to save and keep on using assets which many draw great benefit from.

The other areas I was interested in were tapping into the experience already gained elsewhere and linking up with possible changes at a city level.

For example, Elliot’s organic/community gardens idea has parallels in the Incredible Edible movement in Lancashire and Yorkshire (Ramsbottom and Todmorden).

The Transition Network pulls together information on ideas/projects on a global/national and local scale as does Friends of The Earth and many other organisations.

There may well be a data base where these links exist but perhaps Makeshift could tap into these – without drowning folk under a rainforest of paper or computer overload of data. The final one – promise – was the way in which cities could and are being changed.

During the  week of Makeshift a book was published called Happy City: Transforming Our Lives Through Urban Design.

Tackling the city issues

Tackling the city issues

My copy has only just arrived and I have not had a chance to read it through but as far as I can see journalist Charles Montgomery draws together positive experiences of changes in cities as varied as Bogota, Columbia; Paris, France; Copenhagen, Denmark, London and various others.

These include reclaiming privatised spaces for public use, moving away from cars to bikes, walking, clean public transport, local green energy development, incorporating art into development etc.

At the same time the New Statesman was running a piece about cities getting too big and what can be done about it – smart water, smart rubbish, building in green spaces, using new tech (solar home-lighting), agricultural hand pumps.

The summer edition of Friends of The Earth’s magazine Earth Matters also ran a piece on future cities which included recycling sewage, water harvesting, car sharing and urban farming.

Perhaps there is a strand of development here that micro-projects suggested at Makeshift and being pioneered by others elsewhere could possibly link in with.

However, I may be barking up completely the wrong tree. Will have another think when I have found the time to read the book.

I never pitched anything at Makeshift but I have had an idea buzzing around in my head for some time.

Why doesn’t Wolverhampton have a city wide festival to showcase all the fantastic people, art, dance, music, food and drink, skills and abilities that it has?

Codsall has one, as does Kidderminster, Stafford, Stone,  Dudley, Netherton, Lichfield, Bridgnorth, Shrewsbury, Brum, Walsall – in fact everybody but us.

I know we have the Wolverhampton Show, Deaffest at the Lighthouse Media Centre, , the beer festival (there’s a winter one this year at the Newhampton Arts Centre on Friday 13th December and Saturday 14th December), vegan food festival, the Junction Arts Festival in the Chapel Ash area and Central Youth Theatre have held international theatre and dance festivals but an all-embracing event which would give the lie to a lot of the negativity about the city might be nice.

Perhaps I will work up sufficient head of steam to pitch next year.

West Midlands folk gathering’s heady new brew – of music and beer


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Folk music enthusiasts from all over the West Midlands met to explore how grassroots small venues can develop new audiences and had a special brew of beer for the day.

The Folk 21 West Midlands event at the Newhampton Arts Centre, Dunkley Street, Wolverhampton, on Saturday May 11 also had a special beer brewed by city brewer Andy Brough for the occasion.

In 2011 Black Country singer/songwriter John Richards wrote a blog about the fate of small venues on a folk website and the movement took off from there encouraging and assisting small venues (folk clubs, village halls, arts centres, music cafes etc) which book guests and present small scale concerts.

John Richards

John Richards

It is led by a committee of organisers, artists, agents and audience members working together to help sustain and strengthen the artist-booking folk scene in the UK, now and for the future.

On May 11 there was a full afternoon of discussion at the arts centre, which hosts regular folk music evenings, followed by an evening showcase of acts from other areas who want to work in the West Midlands.

Those that took part thought that quite a few useful ideas came up in the two sessions of discussion and some suggested that a forum should be kept going until the next opportunity for a Folk21 gathering in the West Midlands.

Phil Preen and Julie Palmer, from The Poppy Folk Club, Nottingham, led a discussion on how to attract new audiences and retain existing ones.

Both spoke off the back of starting up a folk club in their area and some of the initiatives they used were noted by others – for example having their own Poppy Club beermats in the pub where they meet. Some thought you should get rid of the title folk club – and its apparent beards and sandals image – and find something broader. Roots?, traditional? Bluegrass? Acoustic? All terms which could be applied to some of the music in clubs.

Pam Bishop and Graham Langley from the West Midlands’ Folk Monthly and Traditional Arts Team spoke about how relevant good quality graphics, posters, leaflets and publicity material was in the wider community and within the existing folk network.

Jim Barrow - the Burslembandit - speaking at the Folk21 West Midlands event at the Newhampton Arts Centre , Wolverhampton

Jim Barrow – Burslembandit – pictured by David Derricott at Folk21

I – Jim Barrow, aka Burslembandit, emphasised the power of the spoken word and one-to-one communication with club organisers, artists and members acting as ‘permanent persudaders’ in the community. Not boring the pants off people constantly but still inviting them along to enjoy music and song in a social setting.

I emphasised that millions still read newspapers and magazines (despite falling circulations and ad revenue) and that it was important to keep sending in media releases, picture opportunities and any newsy material you could lay your hands on – as well as getting to know journalists and trying to temp them out of their comfort zones in the big arenas with apparent superstars old and new.

The same goes for local radio, TV and increasingly internet radio and TV. Social media like this is increasingly important as younger people tend to consume this more often than anything in print – or even on mainstream TV.

However, once the talking and eating (very nice teas in Jesters Cafe at the Newhampton Arts Centre – but I would say that being a paper shuffler on the board there) were over it was time for the stuff all the talking was about.

First up at the showcase was a  Long Lankin, a female three part harmony group from London using guitar, mandolin and fiddle with a freshness and zest that typified all the showcase acts. A sample of their style comes with their version of their namesake’s antics. Listen here to Long Lankin 

They told us they were in the process of recording their first EP in the week following the concert.

A little more established is Alun Parry a singer/songwriter from Liverpool who brought back memories of my time on Merseyside in the early seventies when the dockers were still fighting their corner all the way with his take on life on Liverpool’s waterfront and can be best heard by clicking on this version of If Harry Don’t Go

He pays homage to US legendary folk singer/songwriter Woody Guthrie with Woody’s song and his set was shot through with an upbeat scouse tilt on Irish-American folk and he also unashamedly champions the people at the bottom and those still prepared to fight for them.

Harp and a Monkey, described as an ‘Incredible String Band’ for the now, from Manchester came over with a very different sound – harp and banjo driven electro-folk storytelling – as they say themselves.

The sounds produced by Martin Purdy (vocals/ glockenspiel/ electronica/ accordion), Andy Smith (banjo/ guitar/ melodica/ electronica) and Simon Jones (harp/ guitar/ strings/ electronica) come from, they say, influences including World War One history, sound and visual art, electronic and video technology, as well as “bacon butties and beats”.

What came out sometimes seemed almost reminiscent of those that my former Liverpool Post & Echo colleague Tony Wilson helped bring to the world in his ‘Madchester’ days at Factory Records and  The Hacienda.

Formed in 2008, the band are apparently content to have been described as “Elbow for seafarers and ramblers” and the “bastard sons of the Oldham Tinkers locked in the BBC Radiophonic Workship with only the British Film Institute back catalogue and a handful of scratchy folk LPs from the early seventies for company.”

They were hugely entertaining and had a very professional promotional pack – a precursor for a new album out this year. They have also played the festival in another of my favourites from Lancashire – Ramsbottom. Here they are with Katy’s Twinkly Band.

Roger Davies, a singer/songwriter from West Yorkshire came over as a sort of Yorkie John Denver with a wicked sense of humour.

He is well established with albums Northern Trash, The Busker, Live in Concert Vol One and Songs in Plain English as well as his new single Stephanie. He wrote a very local take on the Olympics and Yorkshire called Carry That Fire

The Raven, a guitar/flute/concertina duo from London had a store of folk miserablism delivered in fine style – although they also do upbeat stomping sea shanties as well.

They have a new album out in the autumn and are well worth a listen as with this version of Black is The Colour (of My True Love’s Hair)

Singer and songwriter Jez Lowe, who has taken his songs of life in his native North East England to audiences around the world headlined after the other acts.

 Jez Lowe pictured by Alan Reynolds
Jez Lowe pictured by Alan Reynolds

The arts centre website said of him – “His latest album, his fifteenth, entitled “Wotcheor!”, has once more thrust him into the spotlight, with a successful series of stage shows, and a fistful of outstanding reviews, and a renewed interest in his brand of pointed, poignant and powerful musical epistles from the North, that have brought him a nomination for Folksinger of the Year in the BBC Folk Awards, an “album of the year” award in the US-based Inde-Acoustic Awards, and a Sony Radio Award for his contribution to the prestigious Radio Ballads series for the BBC, over the last five years alone.

As well as his own performances and tours around the globe, featuring Jez accompanying himself on guitar, cittern, mandolin and harmonica, Jez’s songs also travel independently, thanks to cover versions by the likes of Fairport Convention, The Dubliners, Cherish The Ladies, The Tannahill Weavers, The McCalmans, Bob Fox, The Black Family, The Clancys and scores more folk acts around the world.

2011/12 included tours of the USA, Canada, Germany, Holland, Australia and New Zealand, plus a slew of UK gigs including a special one-man show based on his own Radio Ballads songs, and festival appearances at Sidmouth, Broadstairs, Grove, Chester, Bromyard, Moira, and Wath in the UK, and Albany NY, New Bedford MA , Middlebury VT, the California World Festival and Calgary AB in North America.

‘Jez Lowe is one of our finest songwriters.’ says BBC Radio 2 and here he is 

Midlands theatre group flies the flag for Britain at international festivals


Central Youth Theatre's group going to the Czech Republic

Central Youth Theatre’s group going to the Czech Republic

A West Midlands theatre group will fly the flag for Britain at an international festival this week.
Wolverhampton’s Central Youth Theatre (CYT) will be at the ninth annual Ostrov Soukani international theatre festival in the Czech Republic for young people aged between 13 and 20 from Wednesday 1st May to Monday 6th May.
Twelve members of CYT will be in the Czech Republic will be travelling to the festival to stage their devised production “You Decide”, which challenges young people to think about making moral and ethical decisions. At the festival CYT members will be joining other young people Armenia, Russia, Austria, Israel and Czech Republic.
Performance Director Holly Phillips says:  “Our young people are very excited about the trip and can’t wait to take part in the festival workshops, social events and see the performance work by the other countries!
“This will be the fifth time the Youth Theatre has travelled Soukani which is a bi-annual festival.  CYT started going to the festival in 2001 and has seen different generations of youth theatre members take part over the years”.
The young people selected to represent the youth theatre in Czech have all contributed to a big ongoing fundraising campaign with a £6,000 target needed to send members abroad to represent the area and the UK at global and European festivals.
As well as helping to send young people to the Soukani Youth Theatre Festival in Ostrov in the Czech Republic from the 2nd to the 6th of May, funds will also help us when we are the UK’s representatives at the World Amateur Theatre Festival in Monaco in August.
In Monaco fourteen members of CYT will stage a one hour version of Burnt by The Sun adapted from the film by Nikita Mikhalkov which is an examination of the full horror of Stalin’s rule in the Soviet Union.

Flyer for Burnt By The Sun pre-festival performance at The Grand Theatre, Wolverhampton

Flyer for Burnt By The Sun pre-festival performance at The Grand Theatre, Wolverhampton

The group will be performing in the historic Salle Garnier Monaco Opera House on 22nd and 24th August.  CYT members will be joined by 23 theatre companies from the Far East, Africa, India, Scandinavia, Europe and the USA.
CYT Director Jane Ward added: “This year is our 30th anniversary and we have been flying the flag for the UK, our region and Wolverhampton before international audiences abroad and at home for all those years.
“Despite difficult economic times the young people are continuing to work hard, not only at producing first class drama, but also raising the funds to keep showing the rest of the world that we have a lot of talent and skill in the UK, our region and Wolverhampton.”

New folk for a good night out ?


It is odd bracketing a singer /songwriter/ producer who has put out tracks for more than a decade as nu-folk but that is what sprang to mind listening to Jim Moray at Wolverhampton’s Newhampton Arts Centre on Saturday.

Perhaps it was the contrast with the support by the excellent, but more time-travelled John Richards that did it.

Jim, born in Macclesfield and brought up in Brocton, near Stafford, also seems to be part of a batch of classically-trained young musicians turned out by Birmingham Conservatoire – a bit like a musical equivalent of Dario Gradi’s youthful football conveyor belt at Crewe.

He and others, such as The Old Dance School, have got stuck into the folk scene with a vengeance – and top class results.

Jim has been clocking up awards over the years – the most recent being the one for his version of Lord Douglas at the BBC Folk Awards – but I had been warned his live performance could be a bit hit or miss.

This time it was very much hit with superb vocals and excellent instrumental work leading us through a ghost story and the ‘broken token’ song Seven Long Years with meticulous sourcing of where they came from.

Sweet England, collected by Ralph Vaughan Williams, and from Jim’s first full length album, Sweet England, was truly sweet as was the instrumental work to go with it.

Guitar work was great and when he addressed the keyboard he almost morphed into a lounge singer.

He showed he was a lot more than this singing without an instrument and with the delivery and explanation of Lord Douglas.

Jim bases it on versions of Child Ballad no.7 (Roud 23) with a new tune and words drawing in some influences from the Danish variation ‘Hildebrand and Hilde’ and the Norse version.

Cheerfully enough Lord Douglas  and his lady Margaret die of their wounds when she completes his mother’s curse by calling his name.

Interesting crossover from the Scandinavian here – a bit like Kathryn Roberts’ Hidden People.

Horkstow Grange is basically a punch-up on a farm involving a tyrant of a farmer’s foreman and a waggoner  – old Steeleye Span (hence the name of the group).

During his set Jim did say he had one cheerful number but I’ve forgotten which one it was – they were all quality though.

The evening at the arts centre folk club in Whitmore Reans, Wolverhampton, came two weeks before the Folk 21 event at the same venue.

This is a continuing exploration of how grass roots small venues can develop new audiences and get people into intimate settings to see artists away from the big arenas and large festival settings.

It formed in 2011 after John Richards wrote a blog on The Demon Barbers website.

Now it encourages and assists small venues (folk clubs, village halls, arts centres, music cafes etc) which book guests and present small scale concerts.

It is led by a committee of organisers, artists, agents and audience members working together to helpe sustain and strengthen the artis-booking folk scene in the UK, now and for the future – says its website at http://www.folk21.net/

On Saturday May 11 at the West Midlands event there will be a full afternoon of discussion followed by an evening showcase of acts from other areas who want to work in the West Midlands.

Jez Lowe will headline the concert. Admission for all delegates from clubs, venues, magazines and organizations is free to the daytime events for up to 4 delegates per organization.

Folk 21 says: “The purpose of the day is to fully understand the challenges faced and explore how the movers and shakers of the local folk scene can maximize co-operation and share ideas and initiatives.”

Kelly Alcock, one of the Folk 21 team says the showcase lineup will be released shortly.

Appeal for Contemporary City Criers


Central Youth Theatre is looking for a diverse range of performers to join a magician, musician and a poet who have applied to take part in the the Wolverhampton Portas Pilot Inititiave which aims to bring the city to life and help to revitalise the city centre.

The scheme invites volunteers of all ages to use their talents and become part of a team of new Contemporary City Criers who will help promote the city and special events from May to December. Central Youth Theatre will be providing costumes and training.

Three sets of three day training programmes spread over the year will cater for people joining at different points during the lifetime of the project and will include themed character development, voice projection, health and safety, site visits, costume idea development and fittings, planning and customer relations.

Jane Ward, director of CYT, said: “Traditional town criers used a bell, had good standing in the community, the ability to read (when most could not) and shout out, without modern microphones, news and proclamations. Contemporary City Criers could do the same – or sing, dance, use music, rap, poetry, juggling or any other skills and we want to hear from anyone who has an idea they would like to share with us.

“We can provide a tremendous range of costumes from our 10,000-plus resource at the new Arts Market Space in Salop Street, which volunteers will use as a reporting station, changing space and relaxation area during breaks.

Auditions will take place at The Grand Theatre, Lichfield Street, Wolverhampton, on Saturday, 20th April, between 9am and noon. For information or to book an audition people should contact us via citycrierse@gmail.com, 01902 572091 or the website at www.centralyouththeatre.org

Wolverhampton was selected as one of the first round Portas Pilot towns ahead of stiff competition from 371 other locations and was awarded£100,000 of funding to undertake a range of innovative projects aimed at increasing entrepreneurial activity and filling vacant shops, supporting independent traders and improving the vibrancy of the streets.

Wolverhampton Portas Pilot is split into five projects. One of the projects is Sights and Sounds which aims to improve the vibrancy of the city centre, promote activities and events and increase visitor numbers.

Contemporary City Criers is part of the Sight and Sounds project. Funding for the City Criers training has been provided by the Arts Council along with funding from the Wolverhampton Portas Pilot project. For further information visit http://www.wolverhamptonportaspilot.co.uk

The award winning Central Youth Theatre (CYT) is based at the Newhampton Arts Centre, Dunkley Street, Whitmore Reans, Wolverhampton. It is celebrating its 30th anniversary this year.

 

Hollywood award-winning film on its way back to the West Midlands


Alex Edwardson as Jack, and Susannah Wells, as Lucy, in Titanic Love

Alex Edwardson as Jack, and Susannah Wells, as Lucy, in Titanic Love

A film premiered in Hollywood will next be brought back to be shown free where it was made – in the West Midlands.

Romantic comedy Titanic Love, which won the Best Screenplay award in the Kick Ass Awards at the end of the Los Angeles Comedy Festival, will be shown at Wolverhampton’s Light House Media Centre on Friday April 5.

Black Country filmmaker Mark Pressdee will be screening his award-winner between 6 and 7pm alongside Travels With Morris – a series of comedy shorts made by the city’s Central Youth Theatre (CYT), based at the city’s Newhampton Arts Centre.

Titanic Love, made in Birmingham and costumed from Central Youth Theatre’s (CYT’s) 10,000 plus costumes in its Actors Wardrobe resource, tackles romance and obsession with the Titanic – just over a century after the world’s most famous ship sank.

Former Sandwell College student Mark brings the film back to where he studied film – at the Lighthouse Media Centre.

As well as the Hollywood award it also last month won the Best Short Film Award at The Black International Film Festival’s Music and Video Awards and the Best In It’s Block at the Kontrast Film Festival in Germany.

After the Wolverhampton showing the film has been selected to be screened at the Shart International Comedy Festival in Canada as the flagship romantic comedy film of the April festival.

In the same month it will also be show at the Maryland and the Lifetree  international film festivals in the United States.

It is also being considered for more than 50 other festivals and Mark said: “I am so excited for the screening at the Light House. I am an ex-Light House Media student so the training I received has already paid off.

“I am also really looking forward to seeing the Travels With Morris films that will be screened in conjunction with Titanic Love and the accompanying behind the scenes documentary of Travels With Morris.

Passion and creativity

“Travels With Morris was produced by CYT in conjunction with more than 40 young people and a small team of professionals. My role was as a film mentor on the project.  The film was funded through First Light Films, who are the education arm of the British Film Institute (BFI).

“The sheer passion and creativity displayed by the young people on the project was incredible.

“We premiered these films at the Light House last year to a full house that ranged from young to old and the films went down a storm.

“I would advise people to come along and support what is being achieved by these young people in the Black Country.

“In fact they did such a good job that we will be announcing a new comedy project – “Salt N’Malt” commissioned by the same funder which will be shooting in April and May this year.”

Mark, a regional filmmaker, has established himself as a producer director in the Midlands, but travels globally as a filmmaker and
has worked for all terrestrial TV channels and many satellite channels. He has a passion for comedy.
He has had work previously screened on channel 4, channel 5 and ITV but has always had strong links to the Black Country and the Midlands.
His short films have been previewed in Cannes & the  Edinburgh Film Festival with previous films Evil Resident nominated for a Made in The Midlands Award, The Westerner, Winner of The BBc Drama Award & TV Documentary, Fistful of Alice also nominated for a BBC Drama Award.
He established his own production company in Birmingham 2003, Macoy Media, specialising in educational projects.
In the same year Mark graduated at The University of Birmingham with a Diploma from the European Audiovisual Entrepreneurs programme where he studied in Austria and Germany.

Midlands links

He developed and put into production Titanic Love, which he wrote in 2009 to explore various themes including the Midlands’ links to shipbuilding and Titanic.
The script gained favourable response and interest in London but was turned down regionally for funding as too ambitious.
As a result Mark self-financed the film and sought sponsorship from the Midlands, including Jane Ward and The Actors Wardrobe who supplied all costumes and assorted props. Titanic Love went into production in late 2011 and was then entered into festivals where it was screened at Stoke Your Fires Film Festival.
In the film hero Jack, played by Alex Edwardson, is a small man in a Titanic world.
He longs to lead a settled life – to have a good job, the gaff in town, money in his back pocket, and to have the perfect life with his girlfriend Lucy, played by  Susannah Wells.
The only problem is, Lucy has an obsession…with all things Titanic!Lucy has found a ‘Titanic Love Cruise’ and wants to re-live the Hollywood dream. Jack doesn’t!
They can’t afford it and Lucy is furious. Their relationship hits rough waters, so Jack calls on his best friend Delroy for advice and a cheap alternative. True to form, Delroy and his trusty sidekick Jaz come up with a cunning plan that could change their lives forever.Delroy is going to bring Hollywood and Titanic to Birmingham! There is no turning back, and Jack has no choice but to entrust his future with Lucy to Delroy. In a thrilling climax, all will be revealed as Jack, Lucy, Delroy and Jazz experience the voyage of their lives.

The cast of Titanic Love and their characters (from the film website)

Susannah Felicity Wells

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aka Lucy TupperSusie is a graduate from Birmingham Theatre School and it was here she first auditioned for the role of Lucy, later to be cast as the lead. As an actor Susie was inspired by someone who had a similar obsession to her character in real life. She has since gone on to play a leading part in the opening of the Olympics in 2012 and has appeared in the BBC One drama, Father Brown.

Lucy is obsessed with the Titanic and all things connected to it. The flat is covered head to toe in memorabilia, she relives the flying scene on a nightly basis, she’s seen a re-enactment cruise and wants it! She won’t stop till she gets it and Jack knows it.


Alex Edwardson

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(aka Jack Doe) Alex another Birmingham Theatre School graduate, was top of his class with his stage performances. He has an ability to step into character and his use of facial expressions to convey emotion is superb. He has a touch of Leonard Rossiter about him. For such a young actor making his debut performance on film his acting is outstanding.
Jack is Lucy’s the long-suffering boyfriend who wants an easy life. He goes to work, worries about bills and sometimes forgets what is important to Lucy. He gets annoyed with Lucy’s obsession with ‘the boat’ but goes along with it for a quiet life.

Loxley Logan

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(aka Delroy Jones) Loxley, also a Birmingham Theatre School graduate from the same year as Susie and Alex. Loxley  made Delroy’s character come alive and brought the ‘Brum’ identity to the film. He has been involved in Birmingham-based community film projects since graduating and is a  joy to work with, dedicated and passionate and always done with a trademark Delroy smile.Delroy is a wheeler-dealer; man about town, always got something to sell at cut price and a solution for everything albeit shady or outrageous! He’s Jack’s best mate and wants to help him out of the Titanic disaster he has found himself in. How does he do it? The only way he knows, Delroy’s way, with a little help from his business associate Jazz.     

Ryan McKen

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(aka Jazz Doff) Ryan also, a theatre school graduate studying at the Bristol Old Vic. Ryan is a superb actor, never forgetting a line. Even though Ryan’s role in Titanic Love was smaller than the rest it by no means diminishes his performance. In fact, at times, he steals the show with his brilliant portrayal of Del’s sidekick.

Jazz, aka the Bellboy, is Delroy’s business partner, the Rodney to Del, the one that does all the hard work with little credit. Delroy comes up with the plan and Jazz does it, albeit not very well! His idea of class comes in the form of Lambrini, sausage rolls and cut-price crabsticks. Jazz is a good-natured soul who blunders through life blissfully unaware of mishaps and is constantly told off by Delroy.


Extras are ;Laura Taylor – Lizzie, Lydia Gribbin- Catherine, Earle Whitman, Captain Of The Boat, ,Andrew Lound- Ticket Man, Man In Pub- Pete Iles

Theatre group gets One Direction boost


A West Midlands theatre group got a boost from top boy band One Direction and a quiz night helping raise £918 towards a £6,000 target needed to send members abroad to represent the area and the UK at global and European festivals.

A programme and a T-shirt signed by Boy Band One Direction along with two tickets for the band’s show at the LG Arena, Birmingham, on Saturday March 23, which were donated by a former theatre group member were sold by silent auction at a quiz night for Wolverhampton’s Central Youth Theatre (CYT) on Friday 8th March.

One Direction items were from one of the top bands in pop with two number one singles, a platinum selling debut album and more than a million hits on YouTube, and who include Wolverhampton’s Liam Payne.

They went along with a programme signed by girl band Little Mix at the quiz night held at West End Working Men’s Club, Merridale Street, Wolverhampton.

Jane Ward, director of CYT, based at the Newhampton Arts Centre, Dunkley Street, Whitmore Reans said: “The fundraising gave us an excellent start towards our target to help fund us keep flying the flag for the area in Europe – and this time before a world audience.

“As well as helping to send young people to the Soukani (correct) Youth Theatre Festival in Ostrov in the Czech Republic from the 2nd to the 6th of May, funds will also help us when we are the UK’s representatives at the World Amateur Theatre Festival in Monaco in August.”

In Monaco fourteen members of CYT will stage a one hour version of Burnt by The Sun, by Peter Flannery, which is an examination of the full horror of Stalin’s rule in the Soviet Union.

The group will be performing in the historic Salle Garnier Monaco Opera House on 22nd and 24th August.  CYT members will be joined by 23 theatre companies from the Far East, Africa, India, Scandinavia, Europe and the USA.

Jane added: “This year is our 30th anniversary and we have been flying the flag for the UK, our region and Wolverhampton before international audiences abroad and at home for all those years.

“Despite difficult economic times the young people are continuing to work hard, not only at producing first class drama, but also raising the funds to keep showing the rest of the world that we have a lot of talent and skill in the UK, our region and Wolverhampton.”

Theatre group going very much in One Direction


A West Midlands theatre group will be going very much in One Direction tomorrow night (Friday 8 March) as it holds a quiz night to help raise funds towards £6,000 target needed to send members abroad to represent the area and the UK at global and European festivals.

As well as having signed programmes and a T-shirt donated by Boy Band One Direction Wolverhampton’s Central Youth Theatre (CYT) now have two tickets for the band’s show at the LG Arena, Birmingham, on Saturday March 23.

Since appearing on the X-Factor the band, including Wolverhampton’s Liam Payne, have become one of the top bands in pop with two number one singles, a platinum selling debut album and more than a million hits on YouTube.

For those worried about the future of the band Liam recently Tweeted to say he was definitely not leaving them – after rumours that he was.

These and a programme signed by girl band Little Mix will be sold by silent auction at the quiz night at 7.30pm at West End Working Men’s Club, Merridale Street, Wolverhampton.

Bids for the silent auction can be accepted anytime this week either by email to jane@centralyouththeatre.org or to CYT’s office at the Newhampton Arts Centre, Dunkley Street, Wolverhampton, WV1 4AN

CYT Director Jane Ward said: “The Quiz will be a fun night for all the family.

“If people don’t have a complete team we can help make up teams on the night. Besides the quiz we will be running the silent auction and tombola, with refreshments also available during the evening.”

The proceeds of the auction will go towards the group, which is celebrating its thirtieth anniversary this year, sending young people to festivals in Czech Republic at the start of May and also to represent the UK by performing in Monaco at the World Amateur Theatre Festival in August.

Fourteen members of CYT will be staging a one hour version of Burnt by The Sun, by Peter Flannery, which is an examination of the full horror of Stalin’s rule in the Soviet Union.

The group will be performing in the historic Salle Garnier Monaco Opera House on 22nd and 24th August.  CYT members will be joined by 23 theatre companies from the Far East, Africa, India, Scandinavia, Europe and the USA.

Theatre group quizzing and going in One Direction


A West Midlands theatre group celebrating its 30th anniversary, and chosen to represent Great Britain at a world theatre festival, is to hold a fundraising quiz night this week to help raise funds towards their £6,000 target of travelling abroad.

Wolverhampton’ Central Youth Theatre (CYT) is holding the quiz on Friday 8 March at 7.30pm at West End Working Men’s Club, Merridale Street, Wolverhampton. Teams of 4-5 people will be competing at a cost of £2 per person to take part.

There will be prizes for the winners. The group have been supported in our fundraising efforts by Boy Band One Direction and girl band Little Mix.

Both have donated signed programmes. One Direction have also donated a signed T-Shirt which will be sold by silent auction on the night.

Bids for the silent auction can be accepted anytime this week either by email to jane@centralyouththeatre.org or by post to the Newhampton Arts Centre, Dunkley Street, Wolverhampton, WV1 4AN

CYT Director Jane Ward said: “The Quiz will be a fun night for all the family. If people don’t have a complete team we can help make up teams on the night. \

“Besides the quiz we will be running the silent auction and tombola, with refreshments also available during the evening.

“The proceeds of the auction will go towards the group sending young people to festivals in Czech Republic at the start of May and also to represent the UK performing in Monaco at the World Amateur Theatre Festival in August.”

Fourteen members of CYT will be staging a one hour version of Burnt by The Sun, by Peter Flannery which is an examination of the full horror of Stalin’s rule in the Soviet Union.

The group will be performing in the historic Salle Garnier Monaco Opera House on 22nd and 24th August.

CYT members will be joined by 23 theatre companies from the Far East, Africa, India, Scandinavia, Europe and the USA.