Remembrance week centenaries of WW1 Memorial trees


Appropriate remembrance reading and face mask

By Jim Barrow

The 2020 Covid-19 pandemic has made remembrance very different – as it was in Wolverhampton a century ago.

Remembrance Sunday, on the second Sunday of the month closest to November 11, known as Remembrance Day, has a two minute silence at 11am. This year it was on November 8. 

King George V hosted the first at Buckingham Palace in 1919 with French President Raymond Poincaré.  The Armistice of November 11, 1918 was signed by the Allies and Germany declaring an end to the war. 

Today it is observed by all Commonwealth nations and many other countries mark it as a day of memorial.

In Wolverhampton on November 10, 1919 new Mayor Thomas Austin Henn said he would ask for money to plant 1,000 trees chiefly in streets “which were drab and dreary monotony.” He said it would cost £1,200 – nearly £61,500 in today’s prices – with people, particularly pupils, parents and school staff, raising the money.

Plantings followed the mass slaughter of war and the 1918-19 worldwide influenza pandemic killing millions worldwide and nearly 2,000 in the Black Country – including 554 in Wolverhampton.

By November 10, 1920 plantings were now a way of remembering the sacrifice of those who fell in the war and on that day more were done in Old Hall Street in the town centre and Hordern Road, Whitmore Reans.

Old Hall Street school’s logbook for the day reads: “Today the Mayor and Mayoress of the Borough, together with the deputy mayor and other officials conducted the ceremony of the planting in connection with the school. Twelve trees were planted by scholars in Old Hall Street in memory of past scholars who had given their lives for their king and country during the great European War.”

The excellent Wolverhampton’s War blog developed at Wolverhampton Archives since 2014 goes into the background to say that the Express & Star of May 19, 1915, said Harry D. Jackson, headmaster of Old Hall Street School and secretary of Wolverhampton Schools’ Athletic Association had decided that “the call to military service…[was] so irresistible that he has responded by enlisting in the R. F. A.” (number 686959).

Harry David Jackson, born in Wolverhampton in 1873, was the son of Elizabeth and Thomas Jackson. In 1901, he was as a schoolmaster, living with his parents and brothers Frederick and Arthur at 75 Curzon Street. The school logbook for Old Hall Street School recalls him going off to war and returning to work after being gassed.


Trees still stand in Old Hall Street. Some are young ones on the concourse in front of the reception area but there are also older ones lining Old Hall Street but it is not known if they are the originals?

In 2018 I worked with Life Skills students (students with learning difficulties and disabilities) from Adult Education in Old Hall Street about the history of the trees and they designed and created a new commemorative artwork in honour of those who died. They incorporated bark from the Old Hall Street trees into the artwork.

The 2018 Mayor of Wolverhampton, Councillor Phil Page, unveiled the artwork on Tuesday November 13, 2018 alongside Mayoress, Mrs Elaine Hadley-Howell, Director of Education Meredith Teasdale, Councillor Lynne Moran Cabinet Member for Education and Skills and Councillor Linda Leach.

In Whitmore Reans on November 10, 1920 the children of Hordern Road Schools dedicated 12 saplings to men of the district who had fallen in the war. As the schools were not opened until the year before the war (1913) there were no old boys who had served in the war but many of the children had relatives who served.

The Express & Star reported: “The first tree was dedicated by the planter to the memory of his brother. The ceremony so touched some of the participants that there were many tears shed and the sympathies of the Mayoress (Mrs T A Henn) had to be coupled with the handshakes of the Mayor.

“A boy, a girl and a child from the infants department were stationed at each of the 12 trees and scholars lined the opposite pavement, and a few interested parents followed the Mayoral party.”

Later the headmaster, Mr Blower, asked: “that the children responsible for the planting of each tree should take a personal interest in its growth, and should report on the anniversary of its setting on its condition and the progress it had made towards forming a unit in the avenue which will in future grace the street.”

Roy C. Evans, in Wolverhampton Warriors – The Town’s Great Battalions In The Great War (pub Bright Pen 2010) says Acting Sergeant Frederick Wallace Watson, living with his parents, Wallis and Hannah, at 299, Hordern Road, died on October 13, 1915.

He says that the 20-year-old kept the Germans at bay with hand grenades and then sniping for five hours until he was killed. He had trained as a bomber and took part in the assault on the Hohenzollern Redoubt. 

The former pupil of St Andrew’s Church of England School, Whitmore Reans, was with “C” Company of the 1st/6th Battalion of the Staffordshire Regiment and is remembered on the Loos Memorial in France

His brother, Rifleman Alfred Thomas Watson (service number 39553), of the 18th Bn. King’s Royal Rifle Corps died on the October 20, 1918, aged 19. He is remembered on the memorial at Dadizeele New British Cemetery, – Moorslede, West-Vlaanderen, Belgium. 

A pupil dedicated a tree in memory of his older brother, Regimental Sergeant Major Albert Cox, of the 28th Brigade of the Royal Field Artillery. Cox lived with wife, Adelina, at Worcester Terrace, Aldersley Road.

He was awarded the Distinguished Service Medal for bringing in wounded under heavy fire, but died in the Second battle of Ypres, on April 24, 1915. 

The 40-year-old gunner was buried in Ypres Town Cemetery Extension, not far from The Menin Gate, and is also commemorated on the St Michael and All Angels War Memorial, at Tettenhall. 

Brother-in-law Royal Field Artillery Quarter-Master Sergeant-Farrier Edward James Poyner, of Mill Lane, Tettenhall Wood, was mentioned in despatches for taking ammunition to the guns under fire and bringing horses back safe at the Battle of Hill 60. 

Edward’s brother, L Poyner, was in the same battery and another brother, Private George S Poyner, died on November 1, 1914.

Where Hordern Road crosses the Staffordshire and Worcestershire Canal, the Wildside Centre is carrying on the work of planting trees – although not memorial trees – alongside the canal and in the Smestow Valley.

Elsewhere in Wolverhampton trees have been planted at Bantock Park, the Newhampton Arts Centre, Dunkley Street, and in locations in Whitmore Reans.

The first 30 trees were planted on March 22, 1920 in All Saints Road, All Saints, Wolverhampton, by pupils elected by fellow pupils at All Saints, St Joseph’s and Dudley Road Schools in All Saints Road. 

They dedicated each to “the memory of the brave men who died to make the world freer and brighter”. Another 1920 planting was in Walford Avenue, near Bantock Park, by Bingley Street, St Marks and Brickiln Street Schools.

On March 22, 2020 current Wolverhampton Mayor, Councillor Claire Darke, was due at plantings at The Workspace, All Saints Action Network, All Saints Road, All Saints, with John Henn, great grandson of Mayor Henn. 

It was planned at the site of the former All Saints School – which is next to All Saints Church where a plaque commemorates 91 men who died in WW1. At the 1920 planting the mayor was accompanied by children Mr T Wesley Henn (John Henn’s grandfather), Frank and Molly.

Trees are still in All Saints Road along with others planted later in nearby Vicarage Road, Mason Street, Silver Birch Avenue and Thompson Avenue. 

Anniversaries came to light when I was researching the history of the Dunkley Street site of the Newhampton Arts Centre and came across references to tree plantings in the logbook of the Higher Grade School which was on the site at before, during and immediately after WW1.

As a result I provided a chapter on the memorial trees in the book Wolverhampton’s Great War 1914-1921, which was published by the Wolverhampton Society.

This article was written for the excellent newsletter of the Friends Of Wolverhampton Archives which is edited by Penny Ann Smith.

A WordPress blogpost with more details of the plantings is at https://burslembandit.wordpress.com/2020/10/25/roads-of-remembrance-2/(opens in a new tab)

SSAFA’s new brand puts families first


A charity which supported more than 300 forces veterans and their families in the West Midlands last year has changed its name and branding to help it reach more younger veterans – many in their 20s and 30s.
West Midlands North Branch of military charity SSAFA Forces Help changed its name to SSAFA in a rebrand aimed at improving awareness of it amongst members of the Forces community in Walsall, Dudley and Wolverhampton.
It aims to help SSAFA reach more clients by describing the charity, and the support it provides, in a more clear and consistent way.
SSAFA’s teams of trained volunteers work hard to ensure help and advice are always close at hand – work, along with its long history of supporting the Forces and their families has made it Britain’s most trusted charity[1].
A brand audit found many people thought that the charity needed to modernise its identity to better reach its key audiences as it is increasingly helping younger veterans, many in their 20s and 30s[2].
Families have always been at the heart of what SSAFA does and they have been put at the centre of the brand.  A new descriptive strapline reiterates the charity’s commitment to families as well as those who serve.  The change of name is supported by a modern new logo with a three-colour underline to represent the charity’s lifelong support to the Navy, Army and RAF.
Colonel David Hill Chairman of SSAFA West Midlands said: “These changes follow a long period of consultation with volunteers and staff as well as members of the military community.
“SSAFA has supported our Forces and their families for more than 125 years but the work we do now is more vital than ever before.
“It’s really important that those who serve and those who used to serve in our Forces know that SSAFA is here for them and their families for life, and is contactable on 01922 722778 or 01902 864030.”
  SSAFA provides lifelong support to anyone who is currently serving or has ever served in the Royal Navy, British Army or Royal Air Force and their families. Each year staff and 7,500 volunteers are there for more than 50,000 people, ranging from D-Day veterans to the families of young soldiers wounded in Afghanistan.
[1]  Charity Brand Index 2012 Third Sector Research
[2]  Last year, SSAFA supported 3,812 veterans and their families in their 20s and 30s.

Theatre group gets One Direction boost


A West Midlands theatre group got a boost from top boy band One Direction and a quiz night helping raise £918 towards a £6,000 target needed to send members abroad to represent the area and the UK at global and European festivals.

A programme and a T-shirt signed by Boy Band One Direction along with two tickets for the band’s show at the LG Arena, Birmingham, on Saturday March 23, which were donated by a former theatre group member were sold by silent auction at a quiz night for Wolverhampton’s Central Youth Theatre (CYT) on Friday 8th March.

One Direction items were from one of the top bands in pop with two number one singles, a platinum selling debut album and more than a million hits on YouTube, and who include Wolverhampton’s Liam Payne.

They went along with a programme signed by girl band Little Mix at the quiz night held at West End Working Men’s Club, Merridale Street, Wolverhampton.

Jane Ward, director of CYT, based at the Newhampton Arts Centre, Dunkley Street, Whitmore Reans said: “The fundraising gave us an excellent start towards our target to help fund us keep flying the flag for the area in Europe – and this time before a world audience.

“As well as helping to send young people to the Soukani (correct) Youth Theatre Festival in Ostrov in the Czech Republic from the 2nd to the 6th of May, funds will also help us when we are the UK’s representatives at the World Amateur Theatre Festival in Monaco in August.”

In Monaco fourteen members of CYT will stage a one hour version of Burnt by The Sun, by Peter Flannery, which is an examination of the full horror of Stalin’s rule in the Soviet Union.

The group will be performing in the historic Salle Garnier Monaco Opera House on 22nd and 24th August.  CYT members will be joined by 23 theatre companies from the Far East, Africa, India, Scandinavia, Europe and the USA.

Jane added: “This year is our 30th anniversary and we have been flying the flag for the UK, our region and Wolverhampton before international audiences abroad and at home for all those years.

“Despite difficult economic times the young people are continuing to work hard, not only at producing first class drama, but also raising the funds to keep showing the rest of the world that we have a lot of talent and skill in the UK, our region and Wolverhampton.”

Theatre group going very much in One Direction


A West Midlands theatre group will be going very much in One Direction tomorrow night (Friday 8 March) as it holds a quiz night to help raise funds towards £6,000 target needed to send members abroad to represent the area and the UK at global and European festivals.

As well as having signed programmes and a T-shirt donated by Boy Band One Direction Wolverhampton’s Central Youth Theatre (CYT) now have two tickets for the band’s show at the LG Arena, Birmingham, on Saturday March 23.

Since appearing on the X-Factor the band, including Wolverhampton’s Liam Payne, have become one of the top bands in pop with two number one singles, a platinum selling debut album and more than a million hits on YouTube.

For those worried about the future of the band Liam recently Tweeted to say he was definitely not leaving them – after rumours that he was.

These and a programme signed by girl band Little Mix will be sold by silent auction at the quiz night at 7.30pm at West End Working Men’s Club, Merridale Street, Wolverhampton.

Bids for the silent auction can be accepted anytime this week either by email to jane@centralyouththeatre.org or to CYT’s office at the Newhampton Arts Centre, Dunkley Street, Wolverhampton, WV1 4AN

CYT Director Jane Ward said: “The Quiz will be a fun night for all the family.

“If people don’t have a complete team we can help make up teams on the night. Besides the quiz we will be running the silent auction and tombola, with refreshments also available during the evening.”

The proceeds of the auction will go towards the group, which is celebrating its thirtieth anniversary this year, sending young people to festivals in Czech Republic at the start of May and also to represent the UK by performing in Monaco at the World Amateur Theatre Festival in August.

Fourteen members of CYT will be staging a one hour version of Burnt by The Sun, by Peter Flannery, which is an examination of the full horror of Stalin’s rule in the Soviet Union.

The group will be performing in the historic Salle Garnier Monaco Opera House on 22nd and 24th August.  CYT members will be joined by 23 theatre companies from the Far East, Africa, India, Scandinavia, Europe and the USA.

Theatre group quizzing and going in One Direction


A West Midlands theatre group celebrating its 30th anniversary, and chosen to represent Great Britain at a world theatre festival, is to hold a fundraising quiz night this week to help raise funds towards their £6,000 target of travelling abroad.

Wolverhampton’ Central Youth Theatre (CYT) is holding the quiz on Friday 8 March at 7.30pm at West End Working Men’s Club, Merridale Street, Wolverhampton. Teams of 4-5 people will be competing at a cost of £2 per person to take part.

There will be prizes for the winners. The group have been supported in our fundraising efforts by Boy Band One Direction and girl band Little Mix.

Both have donated signed programmes. One Direction have also donated a signed T-Shirt which will be sold by silent auction on the night.

Bids for the silent auction can be accepted anytime this week either by email to jane@centralyouththeatre.org or by post to the Newhampton Arts Centre, Dunkley Street, Wolverhampton, WV1 4AN

CYT Director Jane Ward said: “The Quiz will be a fun night for all the family. If people don’t have a complete team we can help make up teams on the night. \

“Besides the quiz we will be running the silent auction and tombola, with refreshments also available during the evening.

“The proceeds of the auction will go towards the group sending young people to festivals in Czech Republic at the start of May and also to represent the UK performing in Monaco at the World Amateur Theatre Festival in August.”

Fourteen members of CYT will be staging a one hour version of Burnt by The Sun, by Peter Flannery which is an examination of the full horror of Stalin’s rule in the Soviet Union.

The group will be performing in the historic Salle Garnier Monaco Opera House on 22nd and 24th August.

CYT members will be joined by 23 theatre companies from the Far East, Africa, India, Scandinavia, Europe and the USA.

West Midlands theatre group telling Tales of the Town


 

Tales of The Town flyer front

Tales of The Town flyer front

A West Midlands theatre group will be telling Tales of the Town with extracts from nine classic plays set in shops, cafes, pubs, hotels and markets.

Central Youth Theatre will present them at the Newhampton Arts Centre, Dunkley Street, Whitmore Reans, Wolverhampton on Sunday 10th

Tales of The Town flyer back

Tales of The Town flyer back

February.

From 2pm they will perform extracts from Laundry Girls by Bill Owen, Hobsons Choice by Harold Brighouse and On the Razzle by Tom Stoppard.
These are followed, from 4pm, by Absolute Hell by Rodney Ackland, California Suite by Neil Simon and Two by Jim Cartwright.
The final set of extracts, from 7.30pm, are Satin & Steel by Amanda Whittington, Market Boy by David Eldridge and What Are You Doing Here? by David Compton.
CYT director Jane Ward said: “These extracts are full of characters making you laugh – and sometimes cry. We have around 70 young people involved in the performances, and they have been working hard on these since last October.”
“This project has been planned as a precursor to what we hope will be a larger project celebrating the history of Wolverhampton City Centre.
“We are currently awaiting to hear whether a bid to the Heritage Lottery has been successful, so that we can move on to explore the history of trading and shops in Wolverhampton.
“A team trained in inter-generational research would work alongside the City Archives, the Mary Portas project to revive shops and shopping, and people of the city who used the shops, cafes, pubs and hotels and markets in years gone by.
“During 2011 we had huge success with our heritage project Everybody Dance Now – which was based around the history of social dance in the city – which culminated in a huge international festival in the city in 2011 and the temporary conversion of the former Low Level Railway Station into a ballroom”
Tickets for Tales of the Town are £7 for adults (£5 concessions) with family tickets for two adults and two concessions at £20. The box office is on 01902 572090. Online booking is available at www.ticketsource.co.uk/newhamptonartscentre/

 

The Lifeboat launched – the long version


The John Richards Band, from the left, Robin Tudor, Chris Drinan, John Richards, Jim Sutton and Emma

The John Richards Band, from the left, Robin Tudor, Chris Drinan, John Richards, Jim Sutton and Emma

The Lifeboat cover by John Crane

The Lifeboat cover by John Crane

A Black Country band whose material has been used by some of the biggest names in folk have launched their new CD The Lifeboat – and very good it is too.

The John Richards Band are led by singer/songwriter John Richards, from Coseley, who has been writing since the 1970s with bands such as Fairport Convention, Show of Hands, Michael Black, Damien Barber, Bill Caddick, Bram Taylor, Paul Downes, and other top folk acts performing his songs.

He and daughter Emma, along with Jim Sutton, Chris Drinan and Robin Tudor had copies of the new CD delivered from their production company in Plymouth despite the ‘white hell’ of some snow.

The title track The Lifeboat is very much a heartfelt protest which tells of John and his family’s difficulties in dealing with the financial sector following the crash of 2007/2008.

It deals with their attempts to get bank support – and failing – for a project to turn their home in Devon into one which could provide an income in these dark times.

Without going off into a rant (and there’s nothing wrong with Ranters -a great English tradition) he deals with the bankers and other suits in the financial sector who blew the world economy up and then demanded that the people who hadn’t caused the crisis in the first place pay for it – while they maintained their positions, lifestyles and bonuses.

He sticks it to them – but in a very tuneful and somewhat understated way (no whitewashed walls and Kalishnikovs here). It deserves a lot wider circulation as they are still at – and still getting away with tax avoidance, Libor fiddling and unadulterated greed thanks to supine financial regulation, a complicit and supportive media, light-touch politicians who slide onto boards of directors and a (for the most part) numbed populace.

The second track, No More Milk and Honey, bounces along as it deals with the way many ordinary people’s hopes of a decent retirement after a lifetime of work has have been dashed by having their pensions slashed so they have to work longer for much less.

It sounds upbeat but the content, again, is well directed and finds its targets.

If you thought from the first two tracks that this was protest songs central you would be wrong.

Emma Richards

Emma Richards

Emma chips in with sweet vocals on Fool In Love – which is exactly what it says on the tin.

She is well supported by former band member and fiddler Julia Disney with excellent harmonies.

Julia Disney

Julia Disney

Julia, now based in Manchester, will be back at the venue for the CD launch, The Newhampton Inn, Riches Street, Whitmore Reans, Wolverhampton, on Saturday, April 6, to perform with her partner Glen Bartley.

Tickets are £8 and are available from folk club website at http://www.newhamptonfolk.co.uk/Pages/contactus.aspx

After this haunting track the band go all instrumental on you with Hanging out to Dry, La Encantadora and Gassed and Gone.

These are all written by L.E. McCullough.

Chris Drinan is able to show off his skills on the flute with the Celtic tones to the fore. All very upbeat and uplifting,

By the final – and fifth – new track, This Home’s got a Heart, we’re getting very cheerful as they sing of the anticipation and joy of travelling home after being away.

After the five new tracks Emma is back on with one of the four bonus tracks The Smuggler’s Song.

With good beat and flute in the tune written by John it rolls out Rudyard Kipling‘s take on smugglers, their trade and how the population reacted to them.

It also reminded me of my failure to tackle the excellent Vin Garbutt when he appeared with John at the Newhampton Arts Centre folk club (not the pub one this time), Dunkley Street, Whitmore Reans.

As well as being a superb musician and singer Vin is also excellent value as a stand-up (or sit-down in this case) comedy act.

However, this time he was playing fast and loose with some nonsense about the name Rudyard (it comes from a lake near Leek, North Staffordshire where the Kiplings spent their honeymoon).

Shocking really as he was coming out with stuff only a few hundred yards away from where Rudyard’s mum used to live in Waterloo Road (a blue plaque job).

Alice MacDonald (1837-1910) married John Lockwood Kipling before producing Rudyard.

Strangely enough one of her other sisters – Louisa – married the industrialist Alfred Baldwin and their son – Stanley – went on to become Prime Minister.

All the sisters were hugely talented and Louisa wrote novels, short stories and poetry, Georgiana married the pre-Raphaelite painter Edward Burne-Jones. They and their brothers were in an artistic group of friends know as the Birmingham Set and also got on well with the artist/designer/visionary/ William Morris.

Anyway down with all that and back to the CD and Foundryman’s Daughter – a plaintive examination of how people can be subjected to casual misery because of their accent or background.

Emma excels on vocals again with former band member Allie Fellows providing some nice piano.

The balance of the CD is maintained as they get all jiggy with Road to Lisdoonvarna/Mrs Walsh’s Dinner/The Musical Priest before signing off with Missing with Emma and Allie (piano) – a haunting account of loss.

The Lifeboat can be heard on YouTube being performed at the Folk21 fundraising concert to help grassroots folk clubs in 2012 as well as being available on the band’s website for £7 at http://www.thejrbs.co.uk/

After running the college folk club John recorded with Bev Pegg from Kinver, Staffordshire, with the song Did You Like The Battle? emergine from their sessions. This was eventually covered by Robin Dransfield and then Paul Downes.

He met mandolin player Mike Tinsley and they joined forces in the 70s before joining Greenmantle, a Kidderminster-based traditional band who were wanting to expand a new electric lineup. This didn’t work but the band Springheel Jack emerged from this.

This was followed by the Ivor Smallpiece Big Band. After a split John recruited others for Maurice and The Minors.

Honour and Praise was his only song on their first album but Dave Pegg heard it and Fairport Convention recorded it on their Gladys’ Leap album.

Maurice’s vinyl LP Run By The Moon came out in 1987 but the band split in 1989 Three Desperate Men followed and they were joined in 1991 by Dave Jones and Paul Dowswell.

However, after thirteen years Dave decided to follow a dream and moved to Southern Ireland (Roaring Water Bay).

There he plays drums in a roots-based band and has been back to Wolverhampton, including the Newhampton Inn and Newhampton Arts Centre, with Two Time Polka.

Emma again

Emma again

Emma, John’s eldest daughter, has been singing with her father since her earliest days – she won a Methodist singing competition at the age of eight singing The Darkest Hour is Just Before Dawn by Ralph Stanley, which her father learned from an Emmylou Harris album.

She occasionally supported John – with her younger sister, Helen, joining in as well.

Through sixth form and university she was involved in musical theatre productions, working in the same group as Wolverhampton’s Beverley Knight.

In 1996 she joined John in Desperate Men full time adding harmony vocals.

After adding harmonies to the Third Light album producer Phil Beer described them as umbilical.

She started to front her own songs in the band Desperate Men’s final album, New Tricks, includes two numbers – Blessing in Disguise, a classic Gregson and Collister number and a song by Arkansas singer/songwriter Iris DeMent – Easy’s Getting Harder Every Day.

She also plays whistle.

Robin Tudor

Robin Tudor

The other ‘youngster’ in the band is Robin Tudor, from Halesowen, a classically trained violinist and pianist, guitarist, mandolin, banjo, fiddle and accordion player as well as a singer.

He has been playing in folk clubs since he was nine and the Lighthouse and Woodman folk clubs in the Black County gave him a regular chance to perform.

He formed the duo Wildfire with singer/songwriter and multi-instrumentalist Alistair Stewart in 2004 and they began playing 1960s folk songs in school assemblies.

They even played a version of one of John’s songs long before joining him in the John Richards Band (the JRBs) years later. After recording two albums of original material for limited release they went off to university.

Robin has played regularly with Paul Edwards and has played with Chris Leslie and supported Eric Faulkner, the ex-Bay City Roller, who now plays Scottish folk music. Robin joined the JRBs in 2011 after a recommendation to John by Paul Edwards.

He replaced Julia Disney on fiddle and shares keyboard duties with Jim Sutton.

Jim Sutton

Jim Sutton

Double-bass player Jim Sutton, of Stourbridge, also has a background in heavy metal,rock and jazz – appearing as house bass player at The Trumpet, Bilston, but also playing keyboards.

He formed his first band, Tanhauser, while still at school but did his first gigs with Tony Sawford’s Reg Glob Allstar Showband on guitar and piano because cello, his main instrument at the time, was unsuitable.

His first folk job was with his double-bass teacher, Roger Grainger, and his band Sarabande. At the same time he was the first giggin bass player with Stourbridge heavy metal combo Diamond Head.

At university in Durham he performed with Wynters Armoury and rock band The Morones.

Back in the Midlands he partnered songwriter and singer Tony Jones and later The Ivor Smallpiece Big Band, before making the transition to Maurice and the Minors and the first Desperate Men. He also played jazz with vibist and drummer John Sparry.

After leaving the Desperates he also performed with Blue Train, Bryn Venus’ Key Largo Trio, the New Birmingham Bobcats and his own setups.

Jim has done catalogues of jazz dep gigs with bands such as Pendulum, the Swing Kings and the Crown Phoenix Big Band – plus three years with the Martinique Jazz Band.

He played on John’s solo release Behind The Lines and the promotional gigs for that album.

He was at Wolverhampton’s Emerald Club for the Desperates’ farewell appearance and contributed to the JRBs Walls of Hope and subsequently with them.

Chris Drinan

Chris Drinan

Chris Drinan, of Walsall, on flute, tenor sax, whistles and 5-string banjo learned flute classically at school but his Irish background meant a reel or a jig found more of an audience.

Friends at school, influenced by early Fairport albums asked him to join Ruthwell.

Working in clubs in Kent and Sussex ended as university life started in Leicester and he joined ceilidh band Sunshine. Back in Sussex after uni he worked the folk scene with Codpiece who played at mediavel banquets.

In Walsall, after solo spots in West Midlands clubs, he was asked to join Maurice and The Minors in 1983 but he also did a five year spell with The Old Parrot Band in Lincolnshire.

After Maurice and the Minors folded in 1991 he was a member of the band that emerged from the split, Three Desperate Men. After a break from music he joined the JRBs John, as well as playing guitar, also plays bouzouki.

The band recorded Walls of Hope in 2006 and have also recorded the For Love or Money albums with a slightly different lineup.

Bill Caddick has described John as: “One of our finest writers and singers.”

I thought of apologising for this ramble into long-form journalism but realise that I did put a health warning out when I did a ‘quick and dirty’ take on the launch of the CD at The Newhampton Inn.

For a more succinct and musically attuned review (I’m tone deaf, can’t read a note or sing – but know what I like) go to the excellent Danny Farragher’s Folk All blog at http://folkall.blogspot.co.uk/

Japanese lessons for English football ?


European and English football football seems to be taking a turn for the worse

with racism, allegations of racism and bad behaviour rearing their ugly heads.

The landscape, with some exceptions, seems dominated by huge entities bloated on TV money and debt and below there is more debt and often a struggle to survive.

In England it is estimated that, outside the pro-leagues more than 1,600 teams have folded and most professional clubs have debts and tight or troubled finances.

Before the bloated top detaches into a mash-up of US-style franchises for the global highest bidders, with the devil taking the rest, is there anything to learn from Japan?

There we went to see Cerezo Osaka – known as The Flaming Pinks who were hovering just above the relegation zone in the J-League (Japan’s top tier).

They have a reputation for all-out attack – and a tendency to crash and burn with surges towards the top punctuated by relegation and eventually promotion.

Manchester United’s Shinji Kagawa is probably the best known former Pink in the

UK. Before moving to Old Trafford he was a steal at 300,000 Euros for Borussia Dortmund. He came through the ranks and helped Cerezo back up from J-League 2

The Pinks played Shimisu Pulse in one of their two home grounds – fortunately

not The Nagai Stadium – an athletic stadium – used during the World Cup in

Japan/Korea. It hosted the 0-0 draw between England and Nigeria.

Their 22,000 capacity ground, in a park – a bit like Aldershot’s ground but much bigger – had a 15,603 crowd with enthusiastic home and away

singing, chanting and flag-waving fans behind the goals.

Before the game we met up with Spurs and Osaka fan Trevor and his wife Yuu before buying dumplings with octopus inside them from a takeaway to eat with a couple of beers in the park before the match.

This and a visit to his mate’s football shop (excellent quality scarf purchased – much better than the thin ones in England) teed us up for a game which did not disappoint.

A significant difference was being handed a single teamsheet – the Match Day Program – taken up with a big picture of player Takuma Edamura on the front and pictures of the Osaka staff and players with their squad numbers on the back.

The rest of the back was taken up with the sponsors logos, graphics on ground safety and property advertising. It was a bit of a throwback to some of the pre-war programmes in the UK and a far cry from the mini-books for sale at £3 and more at English league grounds.

Osaka missed a an early sitter, went behind to penalty and hit the post twice before equalising with a diving header. Another tucked away before half-time was cancelled out by a second half goal from a well taken free kick.

Osaka won it five minutes before time, after having another effort disallowed

for offside. The flag waving, singing and chanting came over as slightly more choreographed than in England – although most UK league teams have their goal celebration tunes pumped out over their sound system for fans to join in.

In fact an uncharacteristic early goal storm at Port Vale has had fans in danger of repetitive strain injury singing along to the Dave Clark Five’s Glad All Over.

What was refreshing was the lack of any sense of imminent violence/abuse and the

refreshment. As we could at American Football, we got cold beers from our seats by holding up fingers to indicate how many we wanted and sent the cash hand-to-hand along our row of seats to the beer sellers going up and down the stand aisles.

The change and beers came back by the same route.

At half-time noodles with pork and ginger went down well. Eaten with hashi (chopsticks but shorter than Chinese ones) it was a tasty alternative to pies, pasties, sausage rolls, hamburgers and hotdogs.

Chopsticks and noodles might be a step too far for English fans but perhaps Liverpool and Everton could offer cups of Scouse, West Brom and Wolves grey paes

and bacon and Stoke and Port Vale hot filled oatcakes and lobby.

It could be a chance to link to local food – which seems to be getting as rare as

hens teeth in cafes, restaurants, pubs and bars in England.

Politeness, friendliness and respect for others might be too much of an ask in

the fevered tribalism of many English crowds but it would be a nice change from the

knuckle-dragging vileness that often passes for relations between English fans.

We blended in as best we could with the Flaming Pinks in out pink Port Vale

third choice strip but were in the seats – not up close and personal with the

singing, chanting and flag-waving fans in the standing areas fans behind the goals.

It all seemed very persuasive for those supporting the return of standing/cheering areas in England. On the other hand it was an exciting game which ended up 3-2 to Osaka with a goal late on for the home fans to go home happy.

Perhaps they were even happier after their team went to each side of the pitch

to line up and bow to the fans and receive an enthusiastic reception back. Too much of a culture shock for England but it might be a bit better than the desultory shuffling about and waving that sometimes passes as after-match thanks to fans in England.

Afterwards home and away fans seemed to have no problems leaving the stadium

together and exchanging pleasantries and a quick beer in a bar was followed by a meal at which you grilled your own food on a fire set in the middle of the table.

We aren’t all starry-eyed about Japanese football. Ultra-nationalists have been known to wave the Japanese military flag and to antagonise fans of other Asian countries with memories of Japanese military occupation at internationals.

However, reports of trouble at J-League games are hard to find although fans of Cerezo’s Osaka rivals, Gamba, had a clash with Urawara Reds fans some time ago

involving water balloons, water bottles and overturned barriers.

Aston Villa are the first Premier League club to support bringing back safe standing areas on a trial basis and offering Villa Park to try it – despite opposition from the football authorities and families of the Liverpool fans who died at Hillsborough.

The neat, considered, passing style we saw in the J-League was replicated when we watched the Japanese Olympic women’s football team lose 2-1 to the United States in the final at Wembley watched by 80,203 – a record for an Olympics women’s game.

The US women, top dogs since the competition started in 1996, went two goals ahead in the first half but Japan hit the bar twice in the half and then pulled a goal back.

There was some pretty tough tackling and a couple of accidental kicks in the

face for Japanese defenders – but no rolling around on the floor or surrounding

the referee to demand a sending off or a booking.

Perhaps some of the overpaid Europeans could learn a few things from the women. The TV exposure and crowds of 70,000 and 80,000, with an average of about 25,000, may have given a boost to the women’s game but that remains to be seen.

Inside Wembley the atmosphere was pleasant with Japanese and US fans taking joint photos of each other and the ‘neutrals’ appreciating the football and joining in the chants. The Japanese, as underdogs on the night, probably got most ‘neutral’ support.

Perhaps overseas fans mixing with English fans, for once without any ‘tribal’ traditions to uphold, and wodges of middle class families dampened down the passion and upped the good behaviour.

The only aggro was in the queues at half-time as a couple of blokes had a verbal

spat of alleged queue-jumping to get at the fizzy lager. It soon blew over.

On a hot night the only small food items on offer at the main franchises seemed

to be chocolate, crisps or donuts. Boiled sweets might have been nice.

At Old Trafford we saw the Blue Samurai – the Japanese men – beat an Egyptian side 3-0. Egypt ended up with only nine men left after injuries and a sending off.

Nice cheese and potato pies (very Lancashire/Manchester) for £2.70 and great

view with the other astronauts in the North Stand Tier 3. No yobs swearing or threatening and nice atmosphere in a 70,000 crowd.

Being neutral for most Olympic matches took away the tension of watching

your own lot mess up – and full-blooded support through most of a crowd.

It is a different way of watching. Not totally involved but, on the other hand,

no need to up the blood pressure medication.

Not-so-Hidden People – great nu folk


Folk crusties can be easily seduced by a superb mix of traditional, bluegrass and US standards.
At least this one can be when Kathryn Roberts, Sean Lakeman and Patsy Reid are at the top of their game.
They were in cracking form when they took their tour to the Newhampton Arts Centre on Saturday night.
The mix was absolutely right as Kathryn’s vocals, keyboard and flute work were backed up bigtime by Sean on guitar and Patsy on violin and cello.
Material from the latest album – Hidden People – Huldra, Money or Jewels, The Ballad of Andy Jacobs (one of few perceptive pieces from the miners strike), Lusty Smith and Jackie’s Song was excellent.
Tom Waits’ Ballad of Georgia Lee gave more US flavour on top of the bluegrass- nicely contrasted with The Whitby Maid from Yorkshire.
Nice to hear Joe Peel by Rohdale’s Pete Bond about a very different football and industrial world to the one of today.
Decades ago he struck me as a thoroughly decent, detailed and rigorous musician and singer – and collector and collater of songs.
Kathryn’s rendition was sensitive and gripping. Sean’s guitar and Patsy’s strings were lovely – as were Patsy’s vocals.
The excellent set was primed with John Richards (without his band) starting the evening with guitar and heartfelt songs delivered with a laconic Black Country twang.
Looking forward to his – and his band’s – new album coming out soon.
Altogether an excellent evening.

Black Country building brought back to life dramatically


The former antiques market, Salop Street, Wolverhampton

The former antiques market, Salop Street, Wolverhampton

A bank and council have helped a theatre group bring a Black Country building back to life again as a theatrical resource for the whole West Midlands region is being relaunched.

Wolverhampton’s Central Youth Theatre (CYT) has moved more than 10,000 theatrical costumes into the city’s former antiques market in Salop Street.

Now, with the help of Lloyds Banking Group (Birmingham Midshires) volunteering team, the building is being renovated to help provide a costume hire facility for schools, colleges, community, voluntary and theatrical groups throughout the region as well as for CYT.

CYT director Jane Ward said: “For the last five years we housed our costumes in an empty wing of Northwood Park Primary School, Bushbury.

“However, this summer, the school needed to take the classrooms back to meet the demand for more places at the school.

“Thanks to Wolverhampton Council we were able to rent the empty antiques market building.

“We moved the costumes in a huge operation involving members, past members, Trustees and volunteers but shortly afterwards flash-flooding hit the building and we needed a big clean-up.

Some of the costumes after the move to the antiques market

Some of the costumes after the move to the antiques market

“Now we want to get the building in tip-top shape and the Lloyds (Birmingham Midshires) volunteering team, based at Pendeford, Wolverhampton, who have painting, cleaning and DIY experience, very kindly came in to help us out on Tuesday 30th and Wednesday  31st October.

“This will help to provide a space for costumes which will be a resource for the whole region.”

“It has some great features – especially the dressing room which dates back to the 1960s when the venue was The Woolpack Civic Restaurant and was packed as it hosted dancing and live bands such as the N’Betweens, Californians and Montanas.

“Drummer Don Powell, lead guitarist Dave Hill, Jimmy Lea and Noddy Holder transformed the N’Betweens into Slade (http://youtu.be/A0NpJ7mcfPo) and went on to huge success – as did Robert Plant, who also performed there, when he went on to become a key part of the Led Zeppelin supergroup.

“Glenn Hughes played there with Trapeze and he went on to join Deep Purple.

Poster for Trapeze at The Woolpack Restaurant

Poster for Trapeze at The Woolpack Restaurant

“In a way I suppose we are restoring the link with entertainment the building had.

“We will continue to develop the building but the costume hire side has now been relaunched and anyone who wants to take advantage of the amazing range of costumes should contact us by calling 08450511167 or emailing info@theactorswardrobe.co.uk”